67. The End of Devil Hawker (1930)

 

Illustration by Orison MacPherson for the Saturday Evening Post (USA)

This episode, we look at one of Conan Doyle’s last short stories, ‘The End of Devil Hawker’ (1930) which he completed shortly before his death.

You can read the story here.

And listen to the podcast below.

The episode will shortly be posted to our Youtube channel: www.youtube.com/@doingsofdoyle. Please like and subscribe.

Synopsis

It seems like just another night at Tom Cribb’s London establishment, the Union Arms at the corner of Panton Street, in the first decade of the nineteenth century. The bar is crowded with aristocratic men about town, members of the boxing fraternity and all their assorted followers, hangers-on and hearty rowdies. Cribb himself, still nominally the champion of all England, is there, as is the nascent young poet Lord Byron. Amidst the uproar and chaff, the sinister figure of Sir John Hawker - ‘Devil Hawker’ – holds quiet converse with Sir Charles Trevor over a debt of three thousand pounds. They decide to settle the issue by the turn of a card, a transaction that is witnessed surreptitiously by the sharp bookmaker Billy Jakes, who notices a slight of hand and makes a decision that will cost both him and Hawker dearly…

Writing and Publication History

Title page of the script of Temperley
The story has its origins in an aborted projected, ‘The Waterloo Play’, that ACD worked on with his brother-in-law, E. W. Hornung, in 1894. While the play never materialised, ACD’s research informed his great Regency boxing epic, Rodney Stone (1896).

Ten years later, around 1907, Conan Doyle went back to this project for The House of Temperley, his regency play which was first performed in September 1909. It has often been said that Temperley is an adaptation of Rodney Stone, but the script, which survives in the Lord Chamberlain’s Office records in the British Library, reveals it shares far more with ‘Devil Hawker,’ which is essential Temperley without the boxing!

ACD wrote ‘Devil Hawker’ in the last few months of his life. It was one of an eclectic mix of stories that included ‘The Death Voyage’, a counter factual about an alternative version of the Great War, and ‘The Last Resource’, a strange Dashiell Hammett hard boiled crime story. It’s possible that ‘Devil Hawker’ was the last story Conan Doyle worked on as the galley proofs are believed to have been on his desk when he died on 7 July 1930.

The story was first published in The Saturday Evening Post, in the USA, in August 1930; and in The Strand Magazine in the UK in November of the same year. It was rediscovered by John Michael Gibson and Richard Lancelyn Green for The Unknown Conan Doyle in 1982.

In 2024, an artwork inspired by ‘Devil Hawker’ was created by Megan Oldhues for the Toronto Public Library’s Conan Doyle Mural Project.


Megan Oldhue's illustration for 'Devil Hawker'

‘Devil Hawker’ and House of Temperley

House of Temperley (1909) concerns Sir Charles Temperley, an inveterate gambler who has squandered his family fortune at the card table, with most of his money going into the pockets of the violent and ruthless Sir John Hawker. To recover his fortune, Sir Charles bets all he has, double or quits, on a boxing match – his man against that of Sir John. But when the big day arrives, Sir Charles’s fighter is kidnapped on Sir John’s orders, and it is only when Sir Charles’s noble brother, Captain Jack Temperley, steps into the ring that the day is saved. Sir John is enraged and takes his anger out on Jakes, a bookmaker who saw Sir John preparing to cheat Sir Charles at the card table and who had been blackmailing him. Out of revenge, Jakes reports Sir John to Watier’s and Devil Hawker is duly expelled.

Sir John’s comeuppance is much the same in the play and the story. The play also has nods to ‘The Croxley Master’ (Episode 32), in that Sir John attempts to save the match by organising a crowd invasion of the ring. There’s also a nod to ‘Silver Blaze’ in a sequence where a tout is said to be hanging around the trainer ground.

Drury Lane and the “unknown” H.B.

John Doyle (1797-1868)
The beautiful illustration by Orison MacPherson for the Saturday Post shows two people in Regency dress entering the print shop. Sadly, that scene is set ca. 1930!

In a time before lithography, engravings were the principal way in which the faces of famous people were known.

ACD makes reference to his grandfather, John Doyle (“HB”), the great illustrator of the mid-19thC. In his day, John Doyle mixed with Collins, Thackeray and Macaulay but by 1930 he was had slipped into obscurity. His “genteel” political cartoons were far less memorable than those of Gilray or indeed his son, Richard “Dicky” Doyle who made his name with Punch. When an auction of John Doyle’s possessions was organised in 1882, fifteen years after his death, it had to be abandoned for lack of interest.

Devil Hawker’s description is somewhat reminiscent of that of Dr Grimesby Roylott from ‘The Speckled Band’. The Roylott family had been ruined by a gambler in the family at the time of the Regency, so maybe Grimesby was descended from Hawker…

Tom Cribb’s Parlour

Tom Cribb pub, Panton Street

Tom Cribb, the boxing champion of England from 1808-1822, has been mentioned several times on the podcast. In 1909, ACD made him the main character in ‘The Lord of Falconbridge’ which was written around the same time as Temperley.

In 1808, Cribb beat Gregson to take the English boxing title, but he was more famous for his fights in 1810 and 1811 against Tom Molineaux, a former slave from America, whom he beat.  he beat again a year later. Their fights are immortalised in Goerge Macdonald Fraser’s excellent novel Black Ajaz (1997). In the Aubrey-Maturin novel Letter of Marque (1988), Aubrey has a long-gun nicknamed Tom Cribb.

After his retirement in 1822, Cribb bought the Union Arms in Panton Street. The pub survives to this day, now renamed the Tom Cribb, and has a plaque naming ACD and Rodney Stone outside next to the front door. Pierce Egan, the author of Boxiana, said that Cribb had stepped back from boxing to "serve his customers in a more palatable style."

The plaque outside the Tom Cribb pub

The parlour descriptions in ‘Devil Hawker’ and ‘Falconbridge’ are most likely taken from Egan's influential 1821 work Life in London, which included an illustration of 'Cribb's Parlour' by George Cruikshank.

Cruickshank's illustration of Tom Cribb's parlour from Pierce Egan's Life in London (1821)

Byron

Byron c. 1813 by Thomas Phillips
Byron isn’t in Temperley, so was a new addition for ‘Devil Hawker.’ He is said to be a Cambridge undergraduate, which places the story between 1805-1807 (Temperley is set in 1812), but Cribb did not take over the Union Arms until 1822. Byron also trained with Angelo's fencing rooms and Jackson's boxing parlour. All this was before his Grand Tour (1809).

ACD clearly had an affection for Byron, even if he was not the manliest of types for ACD’s tastes. He supported the Byron Society in 1896, writing to its secretary that “such a cause is one for which a man might be proud to speak, write, subscribe or fight.” In his speech on Poe’s centenary (1909), he observed that, had Byron not died and Poe made it to the Greek war of Independence, the two great poets might have met.

Card cheats

Jakes, himself a card sharper, catches Sir John marking the deck of cards with his thumbnail. Card cheats are common in ACD’s works, notably in ‘A Regimental Scandal’ (1892)  and ‘The Empty House’ (1903), which both riff off The Tranby Croft Scandal (1890) which implicated the future Edward VII.

In ‘The Five Orange Pips’, we learn of ‘The Tankerville Club Scandal’ in which Holmes saved Major Prendergast when the latter was wrongfully accused of cheating at cards. Marshall Millefleur, in the Brigadier Gerard story, was also broken for cheating at cards.

In Temperley, Jakes is horsewhipped off stage, but in ‘Devil Hawker’ we see Sir John’s brutal attack, in which he runs his spur across Jakes’s face. It’s pretty horrible stuff.

Watier’s

One of the three great clubs of the Regency period, after White’s (the Tory dominated favourite of the Guards) and Brooks’ (famed for its extravagant dares and bets).

Watier’s was established at 81 Piccadilly in 1807 by the Prince of Wales (later George IV) in response to comments that the fare at London clubs was all the same. The story goes that the Prince, on hearing this complaint, called for his cook and asked whether he would organise a dinner club. The cook, Watier, accepted. The club folded in 1819, having ruined many fortunes.

Committee members

John Ormsby Vandeleur
ACD has fun with the names of the committee members. Lord Foley is a nod to his mother’s family. Colonel D’Acre could be the same Dacre who figures in ‘The Brigadier in England.’ There’s a Lord Rufton in the same Gerard story, although the name might be a nod to the Earl of Sefton. Lady Frances Carfax was said to descend from the Earl of Rufton.

General Scott, the ‘toast and water man’, was a real person. Scott’s notorious sobriety and knowledge of whist is referenced in Captain Gronow’s Reminiscences, one of ACD’s sources for his Regency and Gerard stories.

Poyntz is probably William Stephen Poyntz, the Whig MP for St Albans. Poyntz was a supporter of Grenville and voted against the Peace of Amiens. Poyntz was also the name of one of ACD’s fellow cricketers at the MCC. General Sydenham Poyntz also fought for the Parliamentarians during the English Civil Wars.

Vandeleur is probably Colonel Sir John Ormsby Vandeleur who served in the Peninsular War and led a cavalry charge at Waterloo. ACD re-used the name for one of Stapleton’s aliases in The Hound of the Baskerville.

Inconsistencies in the story

Samuel E. Bassett, Professor of Greek at University of Vermont, wrote an article entitled ‘Homer and Sir Arthur Conan Doyle’ in The Classical Weekly, USA, 17 November 1930, in which he observed several inconsistencies in this story. They include: Colonel D’Acre becoming Colonel Tufton (or Rufton); the change in Hawker’s note from ‘In Consideration of your Silence’ to ‘In Consideration of Services Rendered’; and Hawker’s reference to White’s Club, when the action takes place in Watier’s.

Bassett argues that these error show ‘that a good story-teller – and likewise a reader who reads for the sake of the story and nothing more – regards such things as names of minor characters and details of various kinds, as of secondary importance.’ His point is actually about Homer and the internal inconsistencies in The Iliad, e.g., Pylaemenes is killed by Menelaus, only to reappear three days later.

‘The creative poet has more important work on hand that to test the consistency of his narrative in all minor and unessential details. He must be an impressionist in thinking only of the effect of his tale at the moment – except where that moment is big with possibilities for making other parts of the tale more impressive.’

Next time on Doings of Doyle…

We are joined by Nick Lane, author of several Sherlock Holmes plays for Blackeyed Theatre, to talk about their new production Sherlock Holmes: The Hunt for Moriarty.

Acknowledgements

Thanks to our sponsor, Belanger Books (www.belangerbooks.com), and our supporters on Patreon and Paypal.

Image credits: Thanks to Alexis Barquin at The Arthur Conan Doyle Encyclopaedia for permission to reproduce these images. Please support the encyclopaedia at www.arthur-conan-doyle.com.

Music credit: Sneaky Snitch Kevin MacLeod (incompetech.com). Licensed under Creative Commons: By Attribution 3.0 License. http://creativecommons.org/licenses/by/3.0/

YouTube video created by @headlinerapp. 

Comments

Doings of Doyle on BlueSky